Friedrich Gilly's Graeco-Roman Egyptian design for a monument to King Friedrich II (the ‘Great’—reigned 1740–86), exhibited in Berlin in 1797, fuelled the young Schinkel's ambition to become an architect, and in 1798 he entered the studio and household of Gilly's father, David Gilly, enrolling at the Bauakademie (Building Academy or School of Architecture), where he received a rigorous training in practical matters as well as absorbing the theoretical bases of Classicism as expounded by Alois Hirt (1759–1834). Other teachers included Gentz and Langhans, and the ethos of the Bauakademie included much derived from the teachings of Blondel and the École Polytechnique in Paris, so the young Schinkel absorbed the elements of a rational approach to architecture from which Franco-Prussian Neo-Classicism evolved.
Monday, 22 June 2015
Friedrich Gilly. Berlin. Project for a monument to Frederick the Great of Prussia Floor Plan
Friedrich Gilly's Graeco-Roman Egyptian design for a monument to King Friedrich II (the ‘Great’—reigned 1740–86), exhibited in Berlin in 1797, fuelled the young Schinkel's ambition to become an architect, and in 1798 he entered the studio and household of Gilly's father, David Gilly, enrolling at the Bauakademie (Building Academy or School of Architecture), where he received a rigorous training in practical matters as well as absorbing the theoretical bases of Classicism as expounded by Alois Hirt (1759–1834). Other teachers included Gentz and Langhans, and the ethos of the Bauakademie included much derived from the teachings of Blondel and the École Polytechnique in Paris, so the young Schinkel absorbed the elements of a rational approach to architecture from which Franco-Prussian Neo-Classicism evolved.
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This looks like the Berlin National Theatre Design. No?
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