Using
photogrammetry to
capture and model existing buildings is a fantastic way to share
cultural treasures with the world, and with VR features cropping up
everywhere even enables us to give people virtual tours of a site of
cultural significance from thousands of miles away. But beyond that,
capturing a model of a building is also a great way to digitally
preserve that structure at a given point in time - this technique is
even
being used by Harvard and Oxford to protect structures placed at risk by the ongoing wars in Syria and Iraq.
In that spirit, our friends over at
Sketchfab
have compiled a selection of cultural treasures that have been
immortalized on their platform. Read on to see all seven models, and
don't forget that you can
view all of them in virtual reality using Google Cardboard.
Constructed
in the first half of the third century AD, the Roman Theater of Jableh
was designed to seat around 7,000 spectators, and was a key factor in
establishing Jableh, on the coast of Syria, as an important city in the
late Roman Empire.
The
Castel Sant'Angelo in Rome - also known as the Mausoleum of Hadrian -
has a long and complex history which reflects the dramatic changes that
have taken place in the city over two millennia. Originally built in 139
AD to house the remains of the Emperor Hadrian and his family, the
building's tombs were destroyed when the building was converted into a
military fortress in 401 AD. Almost a millenium later, the building
began to be used by the Popes of the Catholic Church as a refuge,
fortress and even a prison. Now, the building is a museum.
Built
in the courtyard of the Umayyad Mosque in Damascus, Syria, the Qubbat
al-Khazna originally held the mosque's endowments and precious
manuscripts. The small octagonal structure was completed in 789 AD, and
like the mosque itself was decorated with mosaics which show hints of
both earlier Syrian patterning and an early development of Islamic
decoration.
The
Baroncelli Chapel at the Basilica of Santa Croce in Florence is notable
for its many frescoes depicting biblical stories of the Virgin Mary,
painted between 1328 and 1338 by Taddeo Gaddi. In the above model by
Matthew Brennan, each of these frescoes are labeled with annotations to
outline the stories depicted.
Constructed in the 16th century, the Church of the Gesù - or to give its full name,
Chiesa del Santissimo Nome di Gesù all'Argentina
- is considered by many to be the first example of Baroque
architecture. Designed by Giacomo Barozzi da Vignola until his death in
1575, the construction was then taken over by Giacomo della Porta,
who revised the building's main facade and parts of its interior, seen
in the model above. Giacomo della Porta's design included more dynamic
flourishes that would go on to influence the design of many later
churches, especially those in the new world.
Built in the 16th century, the Segovia Cathedral is in a way remarkable for how
young
it is; by that time in most of the rest of Europe, its late Gothic
stylings had become thoroughly unfashionable. However, the building is
notable for its fine Gothic vaults, which can be seen in the model
above. Interestingly, though it focuses on these vaults, the model makes
use of a low-poly approximation of the rest of the church to give
context to the element it wishes to highlight.
Designed
by Sir Christopher Wren, Greenwich's Painted Hall is notable for its
decoration by the artist James Thornhill. Completed in simple oil paints
rather than as a true fresco, these paintings were
recently the subject of an extensive restoration.
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